Theatre Alumni Advisory Board

The Illinois Theatre Alumni Advisory Board is comprised of alumni that represent the diversity, breadth of careers, and a variety of accomplishments of graduates from the Department of Theatre at the University of Illinois Urbana-Champaign. The overall mission of the board is to build and maintain a robust alumni engagement program that provides value for alumni, current students, the Department of Theatre, and the broader theatre community. The board serves in an advisory capacity offering input to the department head and the producer of Illinois Theatre. The board also mentors current students, generates human and material resources to help the department produce well-equipped theatre professionals, and advocates to keep Illinois Theatre and theatre arts at the forefront of the campus community and beyond.

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Rachel Price Cooper

PhD 2016, Theatre Studies 

Rachel Price Cooper is an Assistant Professor of Theatre at the University of Southern Maine where she teaches courses in Dramatic Literature, Devising, Directing, and Theatre History. She also directs for the main stage. She holds a PhD in Theatre from the University of Illinois and an MA in Directing from the University College Dublin. Her research centers around the representation of motherhood onstage, specifically looking at postpartum bodies and maternal bereavement. Other research areas include contemporary adaptations of ancient Greek mythology and drama, as well as Irish Theatre from the late 19th century forward.

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Annah Feinberg

BFA 2009, Theatre Studies

Annah Feinberg writes and draws, often at the very same time. Her comics and humor writing have been featured in The New Yorker’s Daily Shouts, McSweeney’s, Awry, The Hairpin, and the collection Notes from the Bathroom Line. She recently developed Multifarious Maris for Showtime; wrote and produced short film, The Workplace; and is currently developing multiple projects in the adult animation space. Formerly a playwright, dramaturg, and chronic assistant on shows such as I Love Dick, Arrested Development, and ​Veep, Annah has an MFA in Dramaturgy from Columbia University and was a founding member of theater activist group The Kilroys. Before that, she was a child who wrote and drew, often at the very same time.

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Keith Arthur Bolden

MFA 2001, Acting

Keith Arthur Bolden, a native of Los Angeles, California, earned his MFA in Acting from the University of Illinois and is currently an associate professor of Theatre and Performance at Spelman College in Atlanta, GA. He considers himself a tri-coastal actor and it is demonstrated in his work, and in his ability to transform and embody a variety of characters based on his travels, life experiences and observation of the human condition.

Directing Credits include: Hands Up! (Alliance Theatre), The Colored Museum (American Stage), Pipeline (Horizon Theatre), Two Trains Running (Triad Stage), Topdog/Underdog (NC Black Rep), Hands Up (Hattiloo Theatre), Hoodoo Love, Seven Guitars, Saturday Night/Sunday Morning, The Piano Lesson (Spelman College)

Theatre Acting Credits include: Paradise Blue (True Colors Theatre),  Fetch Clay Make Man (Dallas Theatre Center), Between Riverside and Crazy (True Colors Theatre), Dreamgirls (DOMA Theatre), Gem of the Ocean (The Fountain Theatre, Rubicon Theatre), A Raisin in the Sun (Kirk Douglas Theatre, Hartford Stage, Cape Fear Regional Theatre), CROWNS (Texas Southern University-Guest Artist), Neighbors (Matrix Theatre), Fences, Take Me Out (Human Race Theatre), A Midsummer Night’s Dream (Shakespeare Festival of St. Louis), Ragtime (Penn State-Guest Artist), The Exonerated,  among others

Recent Film/TV credits: TILL, Bel-Air (Peacock), The Great Lillian Hall (HBO  opposite Jessica Lange and Kathy Bates), Clean Slate (Amazon, opposite Laverne Cox and George Wallace), Sacrifice (Season 2), Terror Lake Drive, Genius: Aretha Franklin (DISNEY), The Conjuring: The Devil Made Me Do It, Games People Play (BET),  The Ms. Pat Show (BET), Creepshow (AMC), American Soul (BET), Mile 22, Cobra Kai, (Netflix) ,The Haunting of Hill House (NETFLIX), Behind the Movement, Underground, Black Lightning (The CW), Being Mary Jane, Nashville, (ABC) Greenleaf, A Baby for Christmas, Swamp Murders, Containment, Your Worst Nightmare, Saints and Sinners, The Have and Have Nots, Goosebumps, Vampire Diaries, Alvin and The Chipmunks: The Road Chip.

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Jack Mehler

BFA 1989, Design & Technology

Jack Mehler has enjoyed a diverse career since his time at Illinois Theatre/Krannert Center. Based in NYC since 1990, he received the 2012 ‘Outstanding Lighting Design’ Korean Musical Theatre Award (Korean Tony) for Elisabeth and the 2013 award for Rebecca. He has designed lighting and/or scenery for a wide range of dance and theatre companies including Atlanta Ballet, Alvin Ailey American Dance Theatre, Ballet Austin, Ballet Met, Ballet Memphis, Ballet West, Buglisi Dance Theatre, Donald Byrd/Spectrum Dance (Gypsy award), Houston Ballet, Hubbard Street, Joffrey Ballet, Lar Lubovitch, San Francisco Ballet, Cleveland Play House, Freedom Theater, Manhattan Theatre Club, North Shore Music Theatre (four IRNE nominations), Paper Mill Playhouse, Riverside Theatre, Seattle Rep, Syracuse Stage, Walnut Street Theatre, Weston Playhouse, the Working Theatre, and the WPA Theatre, among many others. He also provides design coordination/owner’s representation for arts organizations building or renovating performance and rehearsal facilities, connects investors with new theatre works, is a founding board member of ACT of Connecticut, and is Associate Producer for Spectrum Dance Theater projects in Seattle. He and Marquerite (Rotunno) Mehler (BFA 1989), live in the NYC area and have three children. Marquerite is the Director of Production of New York City Ballet.

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Susan Muirhead

BFA 1994, Acting

Susan Muirhead is a proud alum of Illinois Theatre and is happy to be serving on the inaugural theatre alumni board. She is currently the Associate Director of the Brand Hub in the Charles H. Sandage Department of Advertising and is an adjunct faculty member in the College of Media at the University of Illinois. Before moving into the academy, she was a Producer at Technicolor Digital Cinema in Los Angeles. While there, she worked with motion picture studios to distribute hundreds of theatrical releases to theaters. Prior to that, she served as the Multimedia Content Coordinator for the non-profit Illinois Legal Aid Online and was a part-time faculty member in the Cinema Art + Science department at Columbia College Chicago. She has produced short, independent films that have screened at various festivals around the world and continues to develop her own media projects. She holds an MFA in Film and Video from Columbia College and a BFA in Theatre from the University of Illinois Urbana-Champaign.

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Mercedes White

BFA 2012, Acting

Mercedes White is a multi-talented artist who is making her mark in the entertainment industry as an actress, director, and award-winning writer. She graduated from the University of Illinois with a BFA in Acting in 2012, where she cultivated her passion for acting and storytelling. Her roots as a biracial child of both African American and Mexican descent in Chicago inspire her to tell stories of individuals whose voices are often unheard, specifically those of women and girls who look like her. Mercedes is known for her role in the hit show Somebody Somewhere on HBO, where she is currently a series regular.  Her play Genesis: A prequel to a Raisin in the Sun is receiving its Off-Broadway World Premiere in February 2024. Her tv and film writing credits include The 30th Year(s), Mailroom, and Cupid’s Chokehold, which won Best Screenplay at the Gladiator Film Festival. She is currently working on a new play called Metaphor for a Tree, which addresses the Disparities in Maternal Mortality Rates for Black Women.  Mercedes is based in Brooklyn, NY, where she serves as the Director of Theatre at The Harlem School of the Arts. She dedicates her work and future success to her late younger brother, Alvin White. P.S Bios make me anxious. I’m way cooler in real life.

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