What to expect-
Within each of our venues, students will work on resident producer shows including theatre, dance and the newly created Lyric Theatre program in opera. Students will also be immersed in a rich production environment with opportunities to work side by side with peers, faculty, guest directors, national and international engineers and designers.
As faculty, we see sound design as the pinnacle of audio vocations and the accumulation of all audio disciplines. We bring to our students’ current knowledge of the art of sound design, equipment standards and trends within our industry. In the classroom, students will gain knowledge in analog and digital sound systems and production techniques, live sound reinforcement, recording technology, script analysis, cueing techniques/software, troubleshooting, problem-solving, music/effect creation and most importantly designer collaboration.
Venues and Laboratories
In addition to our venues, students will work in three professionally- equipped audio suites. The Playhouse Editing Suite offers voiceover capabilities, sound effect creation, and composition functionality. The Festival Editing Suite is a multi- channel editing space, allowing the students to explore spatialization techniques in preparation to move their designs into the theatres. The Mix/Mastering Studio is a full- featured suite of audio tools including those used in recording, multichannel mixing, creation, and processing.
Within the Krannert Center, students will work in all of its 5 spaces. The 979-seat Tryon Festival Theatre is a proscenium space with balcony. Designing in this venue is highly flexible to allow producing work in a myriad of configurations for amplified acts, large Broadway-style musicals, and passively reinforced operas. The 678-seat Colwell Playhouse Theatre is also a proscenium space, but has no balcony, and was designed for spoken word performance. It is used as the main space for Illinois Theatre productions as well as many of the dance concerts and Marquee events. Sound designers are free to imagine and realize any sound system configuration in this space to fit the needs of the production, including but not limited to, front, side, rear, overhead and underneath the audience seating. The Studio Theatre is our black box space. It is a highly modular space with seating locations changing on a per show basis. The theatre has a full grid over the space allowing speakers to be placed nearly anywhere. Students will also get to work in the renowned Foellinger Great Hall. The hall is a 2066 seat concert hall and serves acts ranging from symphonies to Bands to world music acts to dance pieces.
The Master of Fine Arts Program
MFA candidates must be in residency for 6 semesters and will be awarded a sound assistantship, which includes a tuition waiver and stipend. With advanced technical instruction and numerous design opportunities, the sound design program offers a unique blend of artistic development and multi-faceted professional training.
Advanced applications of digital audio technology (digital mixers, digital recording, and digital audio workstations), as well as work with large-format professional sound reinforcement systems, are a part of the daily experience of our grad students.
Whether you are an MFA or BFA student you will get to work on countless shows in various positions including: Lead designer, assistant designer, show engineer, sound board operator, front of house engineer/mixer, monitor engineer, and deck/stage engineer.
For further information about any of our sound design programs please contact:
Richard Scholwin, KCPA Director of Audio Service email@example.com
Alec LaBau, KCPA Assistant Director of Audio Services firstname.lastname@example.org